Avery Dennison
Plant Manager
Ati Flat Rolled Products May 2014 - Oct 2016
Operations Leader
Ati Flat Rolled Products May 2012 - May 2014
Co-Op Process Engineer
University of Pittsburgh 2011 - Dec 2012
Undergraduate Researcher
Jimmy John's Sep 2010 - Sep 2012
Shift Supervisor
Education:
Weatherhead School of Management at Case Western Reserve University 2016 - 2019
Master of Business Administration, Masters
University of Pittsburgh 2010 - 2014
Bachelors, Petroleum Engineering
Tallmadge High School
Skills:
Lean Manufacturing Root Cause Analysis Matlab Chemical Engineering Minitab Data Analysis C++ Design of Experiments Microsoft Excel Simulink Aspen Plus Indesign Leadership Microsoft Office Manufacturing Microsoft Word Powerpoint Engineering Continuous Improvement Factory
To date, the movie has brought in $65.7 million globally, which is still pretty far away from making back its $100 million budget. The Possession of Hannah Grace barely edged out Widows for the ninth position, having brought in $3.1 million. Widows earned $75,000 less than The Possession of Hannah
Date: Dec 10, 2018
Category: Headlines
Source: Google
‘Ralph Breaks the Internet’ Tops the Box Office Again, Post Thanksgiving
Sonys Screen Gems provided the sole new national release this weekend with The Possession of Hannah Grace (aka Cadaver). While hardly stellar, the horror films $6.5 million/#7 place showing actually is one of the better results among studio films for this date. Its enough to make the film a m
Date: Dec 03, 2018
Category: Headlines
Source: Google
Post-Thanksgiving Box Office: ‘Ralph Breaks the Internet’ Stays No. 1 With $26 Million
ational total to $87 million. Keeping in line with end of the year traditions, major studios largely sat out the post-Thanksgiving frame. The only new nationwide release, The Possession of Hannah Grace, opened in line with industry estimates and brought in $6.5 million from 2,065 locations.
Date: Dec 02, 2018
Category: Headlines
Source: Google
Friday Box Office: ‘Ralph’ Continues to Break the Competition
Directed byDiederik Van Rooijen,The Possession of Hannah Grace stars Shay Mitchell(Pretty Little Liars) as a morgueemployee attending to the body of a young girl who died during an exorcism. Much spookiness ensues. Estimates show Hannah Gracefinishing out its debut weekend with a chilling $6 mi
Date: Dec 01, 2018
Category: Headlines
Source: Google
Box Office: ‘Ralph Breaks the Internet’ Refreshes for Another No. 1 Weekend
mes of Grindelwald, and the fourth frame of The Grinch are battling for second place in the $15 million range. The Possession of Hannah Grace, the weekends only opener, is materializing at the high end of forecasts with about $6 million at 2,065 locations on Thursday night.The Possession of Hannah Grace is doubling Sonys pre-release forecast of $3 million. Sonys Screen Gems is distributing The Possession of Hannah Grace, which stars Shay Mitchell as a troubled ex-cop who takes the graveyard shift in a morgue and discovers a body that may be possessed by a ruthle
Date: Dec 01, 2018
Category: Headlines
Source: Google
‘Ralph Breaks the Internet’ to Keep Box Office Crown for Second Weekend
The sole cross-country rollout, Sonys Possession of Hannah Grace, is likely to open to $6.4 million from 2,065 North American theaters after taking in $2.56 million on Friday. That estimate is more than double what Sony had originally predicted for Hannah Grace. by Diederik Van Rooijen and written by Brian Sieve, the horror flick follows a young morgue attendant (Shay Mitchell) who realizes a cadaver has been possessed by a demon. Shot on a Sony A7S II, Hannah Grace has a C- CinemaScore and a 19% Rotten Tomatoes score, with its Audience Score at 22%.
Date: Dec 01, 2018
Category: Headlines
Source: Google
The Possession of Hannah Grace Review: Zero Scares Here
A job working the graveyard shift in a morgue? What could go wrong? ForShay Mitchell inThe Possession of Hannah Grace, the answer is: everything. This horror pastiche tries to inject some fresh blood into the tired exorcism horror sub-genre, but the result is a lackluster, haphazard, and ultimatelilmmakers have been attempting to replicate that success with exorcism tales of their own. No film has come close, although there have been a few successful entries The Exorcism of Emily Rose is a good example. Hannah Grace is not.On the surface,The Possession of Hannah Grace has a winning set-up. The cappointing movie with good ideas. A bad movie thats bad through and through is easier to shrug off you watch it, you think, Hm, that stunk!, and you move on. A film likeHannah Grace, however, eats away at you. Because you can see the potential, and you can see that potential being squandered.It doesnt help thatHannah Grace feels a little like a Frankenstein monster, stitched together from other, better movies.Emily Rose clearly serves as some inspiration the title even sounds the same. Then theres the recent indie horror filmThe Autopsy of Jane Doe, about an autopsy on a mysterioHannah Grace also doesnt play by its own rules theres a sense that the film is just making things up as it goes along. One moment, Hannah Grace can only twitch and writhe. The next, she can cause people to levitate in the air as if she has X-Men-like superpowers. Every room in the morgue has motCasual audiences searching for cheap thrills and a mercifully short time at the movies (85 minutes, all told) will likely come away fromThe Possession of Hannah Grace no worse for wear. But anyone hoping for a memorable horror film worth revisiting in the future will likely want to exorcise this de
Date: Nov 30, 2018
Category: Headlines
Source: Google
‘The Possession Of Hannah Grace’ Grabs $625K In Thursday Night Previews
1ST UPDATE, FRIDAY 7:57AM:Theres only one new wide release this weekend and thats Screen Gems microbudget R-Rated horror movieThe Possession of Hannah Gracefrom helmer Diederik Van Rooijen, and last night from 1,866 locations, the movie made $625K from shows that started at 7PM.e hear for this movie that cost around $6M and has an estimated P&A around $12M.The Possession of Hannah Grace,written by Brian Sieve and produced by Todd Garner and Sean Robins, follows Megan (Shay Mitchell) a cop fresh out of rehab who takes the graveyard shift in a city hospital morgue. A d